The Macropolitics of Microsound: Gender and Sexual Identities in Barry Truax’s Song of Songs

Organised Sound - United Kingdom
doi 10.1017/s1355771817000309
Full Text
Abstract

Available in full text

Date
Authors
Publisher

Cambridge University Press (CUP)

Related search

LXX Song of Songs and Descriptive Translation Studies

2019English

Solomon, God, and Sharon Rose Walk Into a Song: Dialoguing Polysemy in the Song of Songs

Journal of Hebrew Scriptures
2017English

Keeping It Literal: The Economy of the Song of Songs

Journal of Hebrew Scriptures
2007English

The Exegesis Tradition of Song of Songs and Richard Crashaw’s Baroque Poem

English Language and Literature Studies
2015English

Gender Messages in Contemporary Popular Malay Songs

Issues in Language Studies
2013English

2. Channeled, Reformulated, and Controlled: Love Poetry From the Song of Songs to Aeneas and Dido

2017English

Critical Discourse Analysis and the Semiotic Construction of Gender Identities

DELTA Documentacao de Estudos em Linguistica Teorica e Aplicada
LinguisticsLanguage
2005English

Living in Several Languages: Language, Gender and Identities

European Journal of Women's Studies
ArtsGender StudiesHumanities
2011English

“Let Me Hear Thy Voice”: Michèle Roberts’s Refiguring of Mary Magdalene in the Light of the Song of Songs

Text Matters
LiteratureLiterary TheoryCultural Studies
2019English

Amanote Research

Note-taking for researchers

Follow Amanote

© 2025 Amaplex Software S.P.R.L. All rights reserved.

Privacy PolicyRefund Policy