Amanote Research

Amanote Research

    RegisterSign In

Singing the King’s Music: Attaingnant’s Motet Series, Royal Hegemony and the Function of the Motet in Sixteenth-Century France

Early Music History - United Kingdom
doi 10.1017/s0261127918000037
Full Text
Open PDF
Abstract

Available in full text

Categories
Music
Date

October 1, 2018

Authors
Geneviève Bazinet
Publisher

Cambridge University Press (CUP)


Related search

The Genre of the Motet in the Jean-Philippe Rameau's Creativity

Scientific herald of Tchaikovsky National Music Academy of Ukraine
2019English

Music in the Cathedral of Mexico in the Sixteenth Century

HAHR - Hispanic American Historical Review
Cultural StudiesHistory
1946English

Motive, Structure and Meaning in Willaert's Motet Videns Dominus

Journal of Musicology
Music
2015English

Music Education in Schools in Ljubljana in the Second Half of the Sixteenth Century and in the Early Seventeenth Century

De Musica Disserenda
Music
2015English

Surge Illuminare. Motet for Double Chorus (Unaccompanied)

The Musical Times
1912English

"Comparing the Incomparable": Local Custom and Law in Sixteenth-Century Korea and France

Journal of Early Modern History
History
2008English

Two Unknown Cases of Printed Incidental Music in the Sixteenth- And Seventeenth-Century Italian Theatre

De Musica Disserenda
Music
2015English

Literature and Nation in the Sixteenth Century

2018English

Mexican Architecture of the Sixteenth Century

HAHR - Hispanic American Historical Review
Cultural StudiesHistory
1948English

Amanote Research

Note-taking for researchers

Follow Amanote

© 2025 Amaplex Software S.P.R.L. All rights reserved.

Privacy PolicyRefund Policy