The Political Dimension of the Performance Jeanne d'Arc Au Bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969

Theatralia - Czech Republic
doi 10.5817/ty2018-2-11
Full Text
Abstract

Available in full text

Date
Authors
Publisher

Masaryk University Press

Related search

Petrography, Diagenesis and Carbonate Cement Geochemistry on the Sandstones of the Jurassic Jeanne d'Arc Formation, Jeanne d'Arc Basin, Grand Banks.

English

The Theatre of Revolution Transforms Spectators Into Political Actors: Performance as Political Engagement in the Transnational Counterculture

European journal of American studies
2019English

The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] Directed by Peter Scherhaufer at the Goose on a String Theatre in Brno

Theatralia
Visual ArtsPerforming ArtsCultural StudiesHistory
2018English

Joan of Arc in New Age Spirituality

Relegere: Studies in Religion and Reception
2013English

Monodrama at the Theatre of Samuel Beckett and at the Theatre of the Absurd

Sibirskii Filologicheskii Zhurnal
LinguisticsLiteratureLiterary TheoryCultural StudiesLanguage
2010English

The Personal Is Political: Performing Saint Joan in the Twenty-First Century

SHAW
LiteratureLiterary Theory
2018English

Madness at the Theatre

British Journal of Psychiatry
MedicinePsychiatryMental Health
2013English

Copyright Relevancy at Stake in Libraries of the Digital Era

Design, Development, and Management of Resources for Digital Library Services
English

The Political Dimension of Humanitarian Action. Rethinking the Humanitarian Space

Deusto Journal of Human Rights
2017English

Amanote Research

Note-taking for researchers

Follow Amanote

© 2024 Amaplex Software S.P.R.L. All rights reserved.

Privacy PolicyRefund Policy