«Tannhauser» R. Wagner in the Mainstream of the Evolutionary Ways of the German Musical Theater: Mythopoetic and Genre-Style Aspects

National Academy of Managerial Staff of Culture and Arts Herald
doi 10.32461/2226-3209.3.2018.147532
Full Text
Abstract

Available in full text

Date
Authors
Publisher

National Academy of Managerial Staff of Culture and Arts

Related search

Genre-Style Innovation in the Creative Work of Mykola Voronyi

Science and Education a New Dimension
2019English

«La Platera»: A Case of Contamination in the Genre System of the First Commercial Theater

Anuario Lope de Vega
LinguisticsLiteratureLiterary TheoryLanguage
2020English

The Main Ideas of the Techniques of Artistic Design of Movie Theater Interiors in the Style

Technical Esthetics and Design
2019English

2. Some Aspects of Developing Musical Thinking in the Training of Musical Student

Review of Artistic Education
2016English

Genre-Style Peculiarities of the Public Square Poetry: Tradition and Innovation

Science and Education a New Dimension
2019English

The Musical Theater of Spain of the XIX Century in the Wake of the Cultural, Historical and Spiritual Foundations of Renacimiento

Almanac "Culture and Contemporaneity"
2018English

The Musical Theater in Kraków and Lviv Around 1900: Social Functions and Cultural Meanings

Studia Musicologica
2017English

The Piano Duet in the System of Piano Ensemble: Genre-Typological Aspects

Culture of Ukraine
2018English

Sologub and Andreev as Reformers of the Theater: Aesthetic and Receptive Aspects

Sibirskii Filologicheskii Zhurnal
LinguisticsLiteratureLiterary TheoryCultural StudiesLanguage
2014English

Amanote Research

Note-taking for researchers

Follow Amanote

© 2024 Amaplex Software S.P.R.L. All rights reserved.

Privacy PolicyRefund Policy